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The Four Seasons

14,00  8,40 

Kao što već njegov naslov sugerira, ovaj je strip album čitav sagrađen oko izmjene godišnjih doba te sitnih dogodovština koje se uz njih vežu. Njegovi protagonisti – hrvatskoj publici dobro poznata ali zagonetna Zlatka, ribolovac i svemirski putnik Key te njegov galeb Yek, prepuštaju se gradnji snjegovića zimi, novim ljubavima u proljeće, skokovima u more ljeti, melankoliji ujesen. Oko tih dobro poznatih motiva Krešimir Zimonić plete profinjenu lirsku mrežu, gotovo uvijek utemeljenu u sugestiji: on nudi tek fragment događaja, bljesak uvida u raspoložen ja likova, nekad ironične, a nekad gotovo filozofske autorske izjave. Time nastaje bogat tekstualni predložak koji nikako nije ograničen na izmjenu replika likova – u Zimonićevom albumu progovaraju razni glasovi: nekad prirodne pojave, nekad obijesni galeb, a nekad sam pripovjedač. Ništa manje virtuozno nije izveden ni likovni pandan takvoj spisateljskoj tehnici: Zimonić se igra različitim stilovima, od gotovo impresionističkih kolorističkih rješenja do kolaža i likovnih referenci na popularnu kulturu. Tako nastaje bogata cjelina nekonvencionalnog sadržaja u kojoj se neprimjetno pretapaju male avanture, lirska raspoloženja i apstraktna razmišljanja o vremenu.

 

Book #2923

Quince

15,00  9,00 

The picture book “Quince” tells a fantastic story about four friends who, during the summer holidays, cross the stream near the village where they live, although it’s forbidden. On the other side, however, they find neither “trolls, nor bogeymen, nor tusk-owners, nor dragon’s nests”; they encounter creatures that are almost the same as humans but live in forest dwellings. One of them, the boy Quince (with the word for apple in his name), will make friends with the four children and will reveal to them the secrets of the forests. The author of the text, Lana Momirski, intertwined a number of motives in this framework story: some of the friends will move to a bigger city after the school holidays, and the central heroine will have to learn to deal with parting; playing with Quince, children will learn to respect nature and all its creatures; the forest world will become a kind of refuge, but also a space from which the problems of reality and personal existence can be seen more clearly. Subtle watercolors, by Ivana Koren Madžarac and Lana Momirski, evoke to the young reader all the liveliness, warmth and diversity of this mysterious forest world.

 

Book #3342

The Seven Cats

15,00  9,00 

The Seven Cats is a collection of children’s texts by the great Russian avant-garde author Daniil Harms. As Harms worked under hard censorship, these texts form the main part of his oeuvre that was published during his lifetime (most of his “adult” texts were circulating only as manuscripts within underground circles). The Seven Cats encompass various prose miniatures, some longer stories but also children’s poetry. Throughout these various genres one can follow the celebrated absurdist humor of Daniil Harms which is, in these children’s texts, deprived of its cruel elements and becomes a means of transforming the very often glum everyday to an anarchic carnival. The book was illustrated by Vendi Vernić, a prized young Croatian visual artist whose stile corresponds perfectly with the avant-garde but still childish aspects of the literary text.

 

Book #3379

Some Call them Lady-Writers

14,00  8,40 

This study in literary history brings to light various characteristics of the Croatian female literary scene in the late 19th and early 20th century. Focusing on three key figures – Dragojla Jarnević, Jagoda Truhelka and Ivana Brlić Mažuranić – the author makes visible a complex tissue of influences, shared existential preoccupations, positions on writing and recurrent literary motifs. The fundamental question leading her research – what was it like to be a female writer in a period where writing was still largely attributed to a male intellect? – thus gets a rich answer that tries to restore justice to silenced female voices. As the area of Croatian female literature is still largely unexplored, Dujić’s study presents an almost pioneering work that brings the reader not only a historical analysis, but also excerpts from previously unpublished archive materials: letters, diaries and personal notes by the three great writers around whom this book revolves.

The Marriage Diaries

14,00  8,40 

The edition that will thrill every classical music lover! The year is 1840, in the city of Leipzig; the young but already internationally famous pianist Clara Wieck and the still quite unknown composer Robert Schumann just succeeded in getting married, despite various obstacles. The day after the wedding, upon Robert’s whish, they start writing down all their needs and desires, joys and sorrows of matrimonial life. They take turns in writing, each of them covering the events of one week, at first with a lot of passion. Many celebrated musicians of the period pass through the pages of their double diary; Robert and Clara speak about art, home concerts, days and weeks filled with music, but they also speak about love. In these first years of their marriage, years that have been among the most productive for Robert and a sort of setback for Clara, life is good, but it isn’t without its’ own shadows…

 

Of Bears and their Humans

15,00  9,00 

The heroes of this illustrated book are teddy bears who turn out to be incredibly lively pets, always looking for some kind of mischief. They steal pancakes, sing and swim; they meet other animals in the city park; in the summer they go to the seaside and they never-ever sleep their winter’s sleep. The teddy bears’ little adventures are presented as short messages that their owner sends to her friend, and these messages very often acquire a visual power and a narrative dynamic which resemble silent cinema sketches. Once the whole picture is put together, however, one realizes that, from message to message, the author has taught him some important things on friendship and freedom… The book was illustrated and graphically designed by the young artist Hana Vrca who gave it a specific visual coherence and quality.

 

Book #3368

May Bug and Paper Boat

14,00  8,40 

As a paper boat is floating carelessly on a city fountain, it is suddenly stirred by something that fell into it. The intruder turns out to be a cockchafer that couldn’t learn to fly. The two gentle creatures – the little boat that could so easily sink and the little bug that doesn’t fly – very quickly become inseparable friends. While floating on the fountain, they protect each other from little dangers and explore their surroundings that seem marvelous to them: balloons fly over their heads, people come to the fountain to toss coins into it and dream of luck, fireflies come to light up the night. And when real peril arises, it turns out that the little boat and the cockchafer have, along their way, already made friends who are ardent to save them. Sanja Lovrenčić thus creates a lyrical story about fragileness and the magic that resides in the world’s details which is accompanied by aquarelle illustrations of an almost minimalist quality by Mingsheng Pi.

 

Book #3334

Coco and Rico

15,00  9,00 

This story, written and illustrated by Croatian writer and visual artist Nikolina Manojlović Vračar, follows the youth of two sibling roosters Coco and Rico. These two heroes were born on a farm owned by two music-lovers, and enjoyed a careless youth among other animals. But one day they were kidnapped from their home by two criminals who decided to turn them info fighting roosters and to make them participate in illegal rooster fights. When the day came for Coco to fight Rico, they had to use all their cunningness and intelligence to turn the fight into a travesty, escape and find their way home. By telling this animal adventure story, Nikolina Manojlović Vračar reflects on friendship, loyalty and nonviolent ways to subvert and contest violent behavior.

 

Book #3332

 

 

The End of a Long Journey

13,00  7,80 

In this short novel Michael Ende takes us for a journey across Europe, Asia, Africa, all the way to Hindukush. The story’s protagonist, Cyril Abercomby is an English aristocrat and the son of a 19th century diplomat. In his childhood he follows his father on diplomatic missions and when the father dies, Cyril inherits the family fortune and continues wandering across the globe in a pointless spleen. Although he had been enjoying the luxury of grand hotels and high society ever since his earliest childhood, Cyril is haunted for life by a feeling of non-belonging, of homelessness. But then one day, he finds his home – on a painting. Suddenly his voyages become purposeful: he must find the place depicted on the canvas, no matter the costs. This quest leads him to different atrocities and a final, suicidal, mission: neither dead, nor alive, Cyril finds his home in the space of his own imagination grafted upon a real geographical place. Michael Ende thus develops a dark, but lyrical story on alienation, the power of imagination and the workings of art. His text has been illustrated by the painter Dominik Vuković who visually represented the dark contours of this story that revolves around a painting.

 

Book #3363

Self-Portrait in the Study

15,00  9,00 

Self-Portrait in the Study, the recently published autobiography of one of the leading contemporary continental philosophers Giorgio Agamben offers the reader a wide set of interesting motives. Throughout the book, the author recalls all the intellectual encounters which had a decisive influence on his thought, creating, in this way, a magnificent portrait of the late 20th century philosophical and literary scene: following Agamben from encounter to encounter, the reader meets Martin Heidegger, Guy Debord, Giorgio Manganelli, Elsa Morante, Ingeborg Bachmann, Gershom Scholem… The descriptions of these meetings and friendships are interlaced with authentic philosophical meditations on painting, language, poetry, history and inheritance, and, in the final analysis, with glimpses of that “universal science of man” about which Agamben dreamt together with Italo Calvino and Claudio Rugafiori. Agamben’s autobiography thus offers a lyrical synthesis of the three elements whose endless perturbations characterize the whole of the philosopher’s oeuvre: literature, philosophical discourse and a private life that must remain hidden forever.

 

Book #2912

Zagreb through the Lens of Petar Gunjača

14,00  8,40 

In the legacy of Petar Gunjača (1924-2017), former employee in a furniture factory, known as photographer only to fans and collectors of photo equipment, were found several thousand photos, among them numerous shots of Zagreb from the 1960s and 1970s. Sometimes accidentally captured street scenes, sometimes persistent shooting of a same motive, sometimes deftly captured sport movement, suggestively evoke various urban atmospheres. Leading a kind of parallel life behind the lens, Petar Gunjača offers an impressive photographic opus and an interesting historical document. Inspired by Gunjača’s photos, the text writer Sanja Lovrenčić articulated her vision of the town in thirteen short prose fragments, intertwined with the story of the photographer’s life.

 

Book #3359

Blue Town, Yellow Town

12,00  7,20 

Two towns on the two sides of a river – and an old bridge between them. When the bridge has to be repaired and repainted the citizens of the Blue Town want it to be blue, those from the Yellow Town want it to be yellow. There starts a peculiar quarrel, and develops out of proportion to its initial motive… until the day when the nature intervenes and reminds the citizens of both towns of the beauty of the multicoloured world.

(first edition : Alice Jeunesse, Belgium
White Ravens 2017)

Hilda’s Return to the Henhouse

10,00  6,00 

Hilda’s Return to the Henhouse, is a sequel to The Voyage of Aunt Hilda. On a very dark night the travelling chicken finally comes home, and has to answer all sorts of questions about her journey. But the henhause is not exactly the same as it was when she left: the spirit of adventure, however modest, entered the minds of her chicken friends…

Age:4-6