This study in literary history brings to light various characteristics of the Croatian female literary scene in the late 19th and early 20th century. Focusing on three key figures – Dragojla Jarnević, Jagoda Truhelka and Ivana Brlić Mažuranić – the author makes visible a complex tissue of influences, shared existential preoccupations, positions on writing and recurrent literary motifs. The fundamental question leading her research – what was it like to be a female writer in a period where writing was still largely attributed to a male intellect? – thus gets a rich answer that tries to restore justice to silenced female voices. As the area of Croatian female literature is still largely unexplored, Dujić’s study presents an almost pioneering work that brings the reader not only a historical analysis, but also excerpts from previously unpublished archive materials: letters, diaries and personal notes by the three great writers around whom this book revolves.