Format: 13,5×20,5
ISBN: 978-953-8313-15-8
Pages: 170
Binding: paperback
Published: 2020.
16,00 € 9,60 €
Biography of Ludwig van Beethoven written by his contemporaries.
Format: 13,5×20,5
ISBN: 978-953-8313-15-8
Pages: 170
Binding: paperback
Published: 2020.
Jana Prević Finderle’s “Herbarium” could both be seen as a follow-up to her debut “The travertine bridge”, published in 2019, and its sheer opposite. One could argue that it’s a follow-up, because it is a book of short prose inspired by the author’s own experiences, delivered in a simple and direct way – and that it’s an opposite, as “The travertine bridge” was dedicated to travels and encounters, a horizontal motion through space, while “Herbarium”, a book about the lives of plants and the people closest to the author, focuses on travelling vertically, through time. For every herbarium, including Jana’s, is a book of memories. It seems that we live in times of increased sensitivity for the green world that surrounds us, a world that is getting more endangered with every day. But Jana’s soft spot for plantlife isn’t a result of any trend, although the need to create a herbarium made of words could have been influenced by the increasing eco-awareness in times of global warming. This author has, since early childhood, been living her life in close connection to plantlife, which enables her to talk about it from a personal, almost lyrical, perspective. Her authentic language depicts a simple closeness. The focus doesn’t lie on a problem or on the author’s knowledge of botany – which she clearly has – but rather on her personal experiences, her discoveries, little miracles she encounters, like the ones where her aunt Mirjana, in Jana’s adolescent days of spleen, tells her about an acorn and an oak.
The edition that will thrill every classical music lover! The year is 1840, in the city of Leipzig; the young but already internationally famous pianist Clara Wieck and the still quite unknown composer Robert Schumann just succeeded in getting married, despite various obstacles. The day after the wedding, upon Robert’s whish, they start writing down all their needs and desires, joys and sorrows of matrimonial life. They take turns in writing, each of them covering the events of one week, at first with a lot of passion. Many celebrated musicians of the period pass through the pages of their double diary; Robert and Clara speak about art, home concerts, days and weeks filled with music, but they also speak about love. In these first years of their marriage, years that have been among the most productive for Robert and a sort of setback for Clara, life is good, but it isn’t without its’ own shadows…
In these biographic fragments Jessie Conrad sketches the picture of her husband Joseph, one of the greatest writers of English twentieth century literature: nervous, a bit weird, attached to his family in his own way, but first of all, obsessed with his work. At the same time, the reader catches a glimpse of Jessie herself, the almost ideal writer’s wife of old times: typing his texts, cooking, economizing, welcoming guests, raising the children, coping with reality in every possible way instead of Joseph. But the act of writing puts her beyond the role of mother, wife and housewife: taking the courage to write down this intimate testimony, she creates a place for herself in Conrad’s verbal space and becomes a writer in her own right.
New poetry collection by Sanja Lovrenčić.
still life: frozen begonias
brush captures the moment:
the stem still looks solid
ice in its heart makes it
apparently alive
while the sun is shining fervently
upon deep-frozen world
you see in the background:
someone left open
the veranda door
in the coldest night
malicious master painter in the picture
on a piece of auxiliary something
delivery box perhaps in which arrived
everything that’s crammed in the corner
is painting the rotting the gray the weary
plants as they will be
in only a few hours –
but not yet
