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Three Tales from The Tale of Tales

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Mala zvona is proud to present the first Croatian translation of a selection of stories from Giambattista Basile’s famousTale of Tales (Lo cunto de li cunti or Il Pentamerone)

Basile’s collection, written in the 17th century in Neapolitan dialect, served as an inspiration to numerous fairy tale writers over the centuries; Basile’s motifs can be traced through many famous collections, such as those written by Perrault or the brothers Grimm.

In these grotesque stories – which are by no means intended for children – Basile teaches the reader about virtue, vice, deception and love while using a flamboyant Baroque rhetoric. Our selection includes the following stories: The Enchanted DoeThe Flea and The Old Woman Who Was Skinned who were also used as a pretext for Matteo Garrone’s multiple award-winning movie Il racconto dei racconti.

 

Joseph Conrad as I Knew Him

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In these biographic fragments  Jessie Conrad sketches the picture of her husband Joseph, one of the greatest writers of English twentieth century literature: nervous, a bit weird, attached to his family in  his own way, but first of all, obsessed with his work. At the same time, the reader catches a glimpse of Jessie herself, the almost ideal writer’s wife of old times: typing his texts, cooking, economizing, welcoming guests, raising the children, coping with reality in every possible way  instead of Joseph. But the act of writing puts her beyond the role of mother, wife and housewife: taking the courage to write down this intimate testimony, she creates a place for herself in Conrad’s verbal space and becomes a writer in her own right.

The Crocodiles (and Know-It-All Bird)

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Pika Vonična, one of Little Bells’ most productive picture book authors, is working on a series of picture books about animals since 2012. The four stories assembled in Crocodiles proved as particularly appealing to young readers: the endearing Jaroslav who shies water because he cannot swim, Strahimir who makes paper birds and looses them when the wind blows, Florian who is, unlike other crocodiles, never green, but changes colours from blue to white and red, provoke interest and compassion in the young reader. But in these stories everything ends well, and illustrations offer a lot to look at, even when the story is over.

Age: 4-7

A River Certainly does Love the Flood

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In her first poems Sanja Lovrenčić distanced herself in an elitist manner from the descriptiveness of reality and its usual subjects, but now in the collection A River Certainly does Love the Flood she approaches them in a relaxed manner equipped with elements of fairy tales – dreaminess, flax-ness and cotton-ness. Suddenly, for her, everything is utterable, without the pronounced use of the notional labyrinth or the figurative debris prominent with some other writers (…) Sometimes she would reach for the images that are close to a child’s concept of the world. Naturally, it is only an excuse. We are dealing here with a skilful mimicry of childlike tameness and imagination by the complexity and even aggression of adulthood. For our times, the author is really a gentle poet (but not a coy nor a complaining one) who by no means wants to use parasitic additions to make beauty, but neither does she want to use those purely technical, artificial means with “witchcraft” intentions. She is interested in a “walk with pebbles”. In all probably this is what contributed to her being the laureate of the Kiklop Award for the best poetry collection in the year 2007. (Sead Begović)

Kiklop Award for the best poetry book, 2007.

Silences

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In this book that addresses every generation words and images blend into an impressive poetical unity. Using drawings with simple, clear lines and concise sentences, the author tells a story that’s possible to read and experience on different levels. She talks about the close connection of human beings with nature, about changes and the importance of that – sometimes concealed, but still permanent – relationship. The tree is also a symbol of the author’s inner being, a deep and vital center where her strength arises from, a strength of the utmost importance in encounters with the outside world and collisions with its walls.

The Lives of Troubadours

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Sanja Lovrenčić’s book presents biographical texts by anonymous authors from the 13th and 14th century that depicted the lives of troubadours. Medival biographical texts about troubadours are a very old testimony about the interest that lives of artist awakened in their contemporaries. In a time where the only biographies written were those of saints and important rulers, poets are the only group of people that defy that rule – by being written about. Their biographies were written in a language that in medieval times, among others, was called “lenga d’oc”. Today this language is mostly referred to as Occitan, and it is considered to have been Europe’s first literary language after the classical period.