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The Silence of Green

33,00  19,80 

Direct contact with nature plays an important role in this little poetic and visual trilogy by two authors, Sanja Lovrenčić and Iva Valentić. Each in her own way, they experience the green worlds – even if those worlds are small, squeezed between concrete and asphalt – as spaces for a silence that is a departure from everyday reality and a prerequisite for creative work. The Silence of Green was originally the title of a series of the authors’ eleven handwritten art books. Connecting the domain of words and the domain of images, they spent several months dealing with urban greenery, transferring the imprints of fragility, diversity, and vitality of urban plants into their hybrid medium. Growing out of this greenery and returning to it again, as a reflection of the life cycle of the plant world, are the calm, contemplative, and questioning verses of Sanja Lovrenčić, as well as the organically flowing illustrations in ink and stamps by Iva Valentić. The authors collected sketches and notes that were made during the period of work on the manuscript books, supplemented them and prepared them for this edition. The trilogy The Silence of Green consists of the volumes Clear Images, Excerpts from a Personal Chronicle and The Silence of Green: The City, all together in a wonderful paper box. It was designed and produced as a bibliophile edition.

Notes from the Source, Questions for Later

21,00 

An architect with previous experience as author, in his new book conceived as a sort of travel journal, Tomislav Pavelić reflects on the (co)relationships between man and nature, space and place, history and the present. At the end of his often erudite considerations, he asks questions that serve as both the starting point and the destination of these journeys. Without offering hasty answers, he invites us to approach universal problems with an open mind, illustrated in concrete examples of the regions visited, which form the colorful and dynamic decor of this book: places like Armenia, Sicily, Andalusia, Albania etc. All of these locations and cultures can teach us something about the past, but at the same time they allow us a clearer view into the murky and uncertain future of our civilization.

Saturn at the Winter Swimming Pool

20,00  12,00 

The story begins one January morning when the planet Saturn suddenly materializes in the big swimming pool, at first in a smaller version of itself. The unexpected event shakes up the sleepy routine of the regular visitors of the swimming pool called ‘Future’. Lacking logical explanations, but brimming with their own ideas, they try to adapt to the new circumstances, hoping the planet will go away on its own. Some try to extract profit from the event, others pretend that nothing is happening, but finally it becomes clear to them all that they simply have to kick out the constantly growing Saturn out of their pool while it’s still possible! This picture-book, fully authored by Vendi Vernić, one of the foremost Croatian illustrators of the younger generation, will appeal to readers of all ages. The story can be read and interpreted on multiple levels: as an absurdist game of imagination, as a little study of a specific community, or as an allegory on melancholy and depression.

Red Doves

19,00  11,40 

The plot of this novel begins with the female narrator’s arrival on an unnamed Mediterranean island. She has inherited a house in an almost abandoned village and comes to see it; it is a good reason to get away from her daily struggles for a while. The landscape around her is nostalgically idyllic: crumbling stone houses, wild capers, homemade cheese, sunshine and wind. Everything suggests that there, at a distance from people, precarious jobs and urban routine, she’ll find a space for introspection, for facing her past, her desires and hopes. Along with the house, however, the narrator inherited a dovecot with a flock of pigeons bred by her deceased cousin, Toni. When she decides to release them from their prison, she has no idea that these homing birds will soon return to her along with six peculiar guests – Toni’s old friends. They organize a memorial party for him, and during three consecutive evenings they relate fragments of their shared past. Were they an international theater troupe that wandered the Mediterranean small towns in the seventies, or active participants in the political turmoil of the age of lead – it is difficult for the heroine to decide. At the end of the party, before they go away, the strange guests explain the true nature of her newly acquired inheritance: along with the house, she gets the obligation to tell their story, a story she did not fully grasp. And that’s where the Mediterranean idyll comes to an end: it will be replaced by a research into international terrorism in the 1970s, a personal revolt against the clash of wealth and poverty at that time and in the present, growing compassion for non-human living world and growing anger provoked by deadly business practices, cyber-subversions,  anger, fear and escape. To the fragments of her guests’ stories the heroine will react creating her own, a story that she will – when the storm she provoked subsides – almost unintentionally leave as a legacy to the new generation.

A Woman in the Polar Night

18,00  10,80 

In 1934, Christiane Ritter, a thirty-seven-year-old housewife, mother of one child and a woman with some artistic education, set off for Svalbard – more precisely, for the northern coast of the island of Spitsbergen – at the invitation of her husband, a sea captain and a lover of the far north. She was equipped with everything that well-meaning people had advised her to take with her, but none of them knew exactly what awaited her at her destination. Sailing by ship towards the northern latitudes, she hid the ultimate goal of her journey from the other passengers, knowing that in the opinion of most, such an undertaking was not for a woman. Because, indeed, before Christiane, no woman from the so-called civilized world had dared to go to the harsh polar regions; they were associated exclusively with men, explorers, conquerors of the wilderness. However surprised and even intimidated by life in the Arctic wasteland at first, Christiane Ritter  embarks on the adventure bravely. She adapts to a cramped hut, 250 kilometers from the nearest settlement, a dwelling that offers only rudimentary protection from the forces of nature, and tries to run a household for her husband and his assistant Karl. Often left alone – while the two men go hunting, fresh and frozen meat and offal forming the basis of their diet – she manages to cope with the physically demanding circumstances, fear and anxiety.

Even in such situations, her experience of the far north is dominated by admiration and awe of the surrounding natural world. Recording impressions and daily activities in words and images helps her cope with loneliness, and even with the deep, long-lasting darkness of the polar night. These notes will eventually serve as the basis for a book on which the author will work for another two years after returning home, trying to give a literary dimension to her experiences. She completely succeeded; she describes the Arctic world, its animal inhabitants and climatic specifics, the northern lights, the arrival of ice, the harshness of the rocky coast, the life of the minute summer vegetation in an extremely impressive way. Unlike other (male) reports from the polar regions, hers does not emphasize the enterprise and courage of explorers and hunters (although this is also mentioned), but rather the unearthly beauty of the far north and the effect of its extremes on the human psyche. Christiane Ritter’s book is considered a classic work of travel literature, and has been continuously printed in the original German language since 1938, when it was first published. It has been translated into eighteen languages ​​and has also been highly regarded as a translated edition; this is the first translation of this book into Croatian.

Yearning for Spring

18,00  10,80 

This prose-poetry reader could prove to be one of the key events of the Anglo-Croatian literary exchange in 2025: in it, translator and poet Goran Čolakhodžić brings a selection of prose and verse by the English early modernist, Edward Thomas, one of the most important voices of British poetry and of the generation of artists who perished in the Great War, and a close friend of the American classic Robert Frost. The rhythms of his verse are quiet and unobtrusive; he was above all a poet of the earth, trees, birds, and the human relationship with nature, but his poetry is also characterized by subtle psychological insights and is overshadowed by the coming world conflict. In addition to tackling Thomas’s rhymed verse and selecting some of the most successful fragments from Thomas’s nature writing, travel journals and articles, Čolakhodžić also wrote a critical preface, notes and his own artistic text juxtaposed with Thomas’s – a diary of the arrival of spring in Zagreb in 2025, which highlights the similarities and differences between England and Croatia, the 19th and 21st centuries, reminding us of the impact that climate change and people’s problematic relationship with nature have on our daily life. The painter Iva Valentić provided stunning artistic responses to the texts collected here, connecting Far Eastern techniques with Western literature.

Bunny and Chick

18,00  10,80 

This gentle, cheerful and entertaining story will be engaging for all children of preschool or early school age. Its main character Dalibor thinks he has to be a “big boy” and throw away his childish stuffed animals. Left to their own devices, they manage as best they can, while Dalibor starts having an uneasy conscience… A series of humorous details, a wise lesson at the end and extraordinary illustrations by Vendi Vernić will make Bunny and Chick one of the favourite inhabitants of any child’s bookshelf.

A Happy Day in Our Neighbourhood

18,00 

The new picture book by Sanja Lovrenčić and Dominik Vuković follows the journey of a single rose. Passing from hand to hand, the red flower outlines the life of a city neighbourhood through which it is carried by various characters. The neighbourhood is a rich microworld in which chance encounters, small daily rituals and never-ending human dramas take place. The characters that the rose travels among belong to different social groups: from dog walkers, young parents, a shop assistant, a resident of a nursing home and a young artist, to marginalized people such as an elderly homeless man and a street musician. All of them, however, are connected by a simple gesture of kindness: passing the rose from one hand to another. The rose thus becomes a metaphor for the community that permeates the fabric of the city, despite the ever-present differences. Ultimately, this tender flower symbolizes the fragility of every gentle gesture – but also its beauty.

Art is Smart

18,00  10,80 

At the heart of the new picture book by the award-winning illustrator Agata Lučić is art itself, in all its joyful forms. On the pages of this book, intended for children, but which will delight and cheer up adults as well, we will hear numerous and varied answers to the questions of what art can do, where it can be found, how we can most easily encounter it. ‘Art is Smart’ is a praise of art itself, but also a short lesson for the young ones about different kinds of artistic activity and their equal importance. The picture book is abundantly and dynamically illustrated in the author’s recognizable style, and the text flows in an unstilted poetic style, with cheerful rhymes that arouse curiosity in the reader and draw her on to an optimistic close.

Meandering with Julije Knifer

18,00  10,80 

“Whenever I find something that I like, I want to tell a story about it” , says the narrator of this book. But she will by no means tell the story of Julije Knifer and his famous meander motif alone. The painter himself talks about anti-paintings and anti-bulbs, about the rhythms of black and white, vertical and horizontal lines, research and the search for extremes – all of this in his own words taken from original diary entries. And the illustrations inspired by his art also tell the readers about his journey towards and with meanders in their own way. In the fifth picture book of their Croatian fine art series, Sanja Lovrenčić and Dominik Vuković present the work of one of the most original and respected Croatian artists of the twentieth century, well-recognized abroad.

Searching for Ivana

18,00  10,80 

A biographical novel by Sanja Lovrenčić about the Croatian author Ivana Brlić Mažuranić. Written in the first-person singular, the story develops on two levels, in the past and in the present, unfolding around the changing and yet unchanging topics of family relations, artistic creation and female existence in the world of literature.

“K.Š.Gjalski” Award for the best Croatian novel in 2007.

The Door I Do Not Know How to Open

17,00 

There is a door that we don’t know how to open. Behind them lies the solution to the riddle, the beginning-and-end. This door leading to afterlife or to the void, are constantly present in some way in the ninth poetry book of the noted Croatian author Marija Lamot. But there are also numerous smaller doors that open wide in her poems – doors leading to memories, landscapes, mirrors, moments scattered in time, flashes of an intense present. They lead into the night, into bright light, into a classroom where philosophy is discussed, into family spaces and, above all, to trees and other beings that do not speak in human voices.

Chet Baker on the Beach

17,00 

In the new poetry book by the acclaimed and award-winning Croatian poet Ivan Babić, “Chet Baker on the Beach”, the readers will notice, on the one hand, the maturity, clarity of concept and stylistic certainty of this experienced writer, and on the other hand his talent for a short form that unites the lyrical and the meditative, and within which the author manages to transform elements of sensory, organic reality into imaginative metaphor. The dominant thematic framework of these subtle poems is love. The foreboding of opening up to another person, the fragility of closeness, unrest, hope and absence alternate like musical variations in a book that is, as the title already testifies, inspired and imbued with music. Music is, however, most present in the poems of the central, titular cycle, where it appears in a multiple role – as an incentive for language, as a possibility of dialogue across the barriers that separate different artistic disciplines, as an embodiment of psychological states and moods. Breath and respiration run through the manuscript as an organic link between music and song, but also as the presence of the living world of nature for which the author shows a special sensitivity (noted in his previous collections). Babić’s sense of language is manifested in lexical abundance, a flexible sentence that manages to remain light despite its complexity, an imaginative but unobtrusive creation of neologisms, and the ability to create a small, concise and rounded whole with well-chosen words.

A Reflection in the Rain

17,00  10,20 

Jasmina Kosanović, the author of a series of interesting and well-received picture books, does not seem to know how to tell a story about rain. Instead of words, images come to her, all airy and gentle – truly rainy. But for those who like to give themselves over to their imagination, every illustration in this picture book can be the beginning of an adventure. What are those people waiting for under their umbrellas? Who does a sad man with a scarf break up with? Who is behind the windows where the drops are pouring down? Where is the sailboat sailing under an almost clear, yet still rain-soaked sky? A series of rainy scenes results in the author seeing her own self clearly, sun kissed. Those who imagine a series of their own rainy stories will perhaps find out something about themselves, once they eventually emerge from Jasmina’s dreamy, watercolour world.

The Little Key

17,00  10,20 

Starting from a banal event – a shoe that was untied and a key found on the street – the little heroine of this picture book talks about her loved ones. For each of them, such a key could serve something, unlock something of theirs: mom’s glass showcase, dad’s mysterious drawer, a compartment with love letters in grandma’s cabinet, a friend’s special pencil case, her brother’s box with figurines of dragons and knights. With each contemplation of the key, an image from everyday life is “unlocked”. But in the end, the girl concludes that the key will best serve her and her own imagination.
The author of this story about curiosity is the acclaimed and experienced writer Sanja Lovrenčić, and the book was illustrated by Lucija Mrzljak, an award-winning artist educated in Zagreb, Prague, Krakow and Tallinn.

Kosjenka and Regoč

17,00  10,20 

One of the most popular fairy tales penned by Ivana Brlić Mažuranić, and one of those that Croatian children first encounter, is precisely the one about Regoč. However, even though the original story is entitled simply “Regoč”, the little fairy Kosjenka plays a more important role in it. Curious and lively, she sets the sluggish giant on an adventure. Cheerful when she finds company, compassionate in times of trouble, she sacrifices all her fairy magic for new friends, for children from two feuding villages near the Zlovoda lake. Although the two main characters belong to the realm of the fantastical, the story ends on a perfectly human note, with the construction of a new village. And while Regoč returns to his town of Legen, Kosjenka can no longer go back among the fairies, so she stays with the children from the village – as well as with little readers. For this silent book, visual artist Vendi Vernić told Ivana Brlić Mažuranić’s story in a purely visual language. For those who do not know the original, there is a small glossary at the beginning. Converted into pictures, the story becomes accessible to preschool readers.