Children

The Creepy House

16,00 

The Creepy House is a skilful blend of a story about a family intending to move from the city to an old house surrounded by nature, an old-fashioned game of riddles, and fairy-tale elements that lend the whole book an air of fantasy that children find so irresistible. Solving the riddles given to them by the mysterious voice from the fireplace, Florijan and Klara explore the house and the garden, noticing so many things they did not see at first. With a bit of fear and lots of laughter, they experience a real adventure in search of a key they will use to ‘unlock’ the magic of their future home… The author shows a very good understanding of a child’s way of thinking and combines an imaginative plot with a subtle educational element about the world of plants and animals. The illustrator follows the story closely, complementing it with a number of small artistic surprises.

Monsters

15,00 

Lili loves colours. Everything around her is always colourful. Her room, her drawings, her clothes, her thoughts. Until one Monday, when Lili loses in a race and nothing can help her feel better. One by one, monsters come and steal colours out of her life, leaving her in a sombre world as she deals with disappointment and sadness. But Lili will find out that, even though it does not always seem so, colours have a way of finding their way back into our lives – with a little help from our friends. An important story told in a simple yet effective way, with gorgeous illustrations by award-winning artist Klasja Habjan.

Croatian Folktales

17,00 

After reading old Croatian folktales in a very serious book for adults,author Sanja Lovrenčić decided to set her favourite ones free and make them more accessible to children of today, telling them in her own literary voice, adjusting them slightly so that they would be more understandable. In eleven short tales, we meet a wide range of interesting heroes and antiheroes, from fox brides and tiny fairies to ravenous young women and mean bunnies. Set in magical and mystical forest settings skillfully depicted by Branka Hollingsworth, these tales – sometimes whimsy, sometimes not – now get to live on in the minds and hearts of new generations of young readers and listeners, saved from the terrible destiny of being forgotten.

Tintin and his Friends

17,00 

A basket for mushroom picking, a blanket, and a little black dog – that’s how this story begins. Even though he was abandoned in the forest, the little dog was lucky: he was adopted by two nice people. “Tintin and his Friends” is a diary of the first year they spent together, recorded mainly from the dog’s perspective. We see various little events, from their life at home to from their walks in the park, feeling the warmth the three of them share and following Tintin’s adventures with various dog-friends. In a multitude of small scenes Mingsheng Pi – a Chinese painter based in Zagreb and Tintin’s owner – tells, almost without words, a gentle and cheerful story about animals and people, showing an exceptional talent to spot details and, with just a few strokes of his brush, to evoke a space, an atmosphere, characters, and their relations. Readers of all ages will enjoy Tintin’s adventures, and the youngest among them will learn something new about dogs and their humans – like the importance a dog may have for a with hearing-impaired person.

Darkville

17,00 

Addressing the children for the first time, the renowned Darkville, the setting and the main character of this picture book written by a distinguished author Iva Bezinović-Haydon, is a sad town: all plants are being systematically cut there. No one really knows whose idea that was, but two city officials play a significant role in its implementation. One of them stamps the word ‘NO’ on all requests for a change, the other maintains order with his cutting tools – until a little blue flower emerges from a crack in the asphalt and everything starts to change… Using simple words and an appealing plot, the author talks about the need humans feel for the living green world, for colors, diversity and freedom, but also about different ways of standing up to bad rules imposed from somewhere above – it can be done in a hidden manner, in private spaces, or openly, in public, joining forces with other people. The young illustrator Laura Martinović brought the story about Darkville to life with her playful and warm illustrations, full of creative visual ideas and details that enrich the text.   

Darklets

15,00 

In this picture book Croatian author Igor Rajki, winner of the prestigious Grigor Vitez award and the award of the Fairy tale festival of Ogulin, deals with a contemporary issue – the issue of the excessive presence of electronic devices and their screens in our everyday life. He does this in an original way, using his distinctive imaginative poetic language, kindling the readers’ imagination and making them think at the same time. The narrator of the story is giving, as if he were a professor of some kind, a lesson about ‘assembling of darkness in the dark’ – an enchanting phenomenon that occurs at the end of the day, in closed spaces, when darkness begins to descend from the ceiling and rise from the floor; the two darknesses embrace each other and slowly turn into the thick dark. But that is not all; during their game they create small sprouts, so called darklets. Darklets playfully twirl around objects, taming their shapes and leaving no trace. But when various screens start to interfere, a problem occurs: grayish shadows appear where darklets should be… The literary story about darklets is narrated in another, visual language by Klasja Habjan, a young illustrator and designer. She creates impressive, secretive life in spaces on the edge between night and day, spaces inhabited by fleeting human and animal figures, fragments of objects and fragments of their interactions; she does this with extraordinary inventiveness, on a very high aesthetic level, making this book attractive not only for reading but also for (repeated) viewing. By offering the youngest readers an utterly unusual visual experience, Klasja Habjan broadens the concept of what a picture book can be, and opens up the space of children’s book for new ways of artistic expression.

Ema is Alone

16,00 

The story about Ema – written by Vanja Marković, an expert in inclusive and social pedagogy – deals with an important topic of our time: the way people perceive each other. Roaming the streets of her hometown, the little heroine is trying to find someone to play with. She encounters a whole bunch of various characters, but they notice only her looks – her shaggy hair, her huge eyes, her dirty jacket. They all nag her and none of them wants to follow her imagination, but her ideas for games remain on pages, as possibilities for readers themselves to develop. In the end even Ema repeats the pattern that surrounds her: when a yellow cat asks her to play with it she refuses the invitation, thinking that a black cat would be much more interesting. In a playful way the story opens the readers’ eyes to the wrongs implied in superficial ways of looking at others. The storyteller’s style is simple and flowing, very well adapted to the target group of readers (6-8). The illustrations by Vibor Juhas complement and enrich the text; they are close to the aesthetics of comic books and full of little visual surprises.

Forgotten Things

17,00 

In her second artist’s book, Agata Lučić takes readers of all generations to a flea market – an almost monochromatic blue world filled with various objects. Each thing there carries traces of time spent in someone’s life, traces of somebody’s past. The young visual artist evokes fragments of life that “forgotten things” shared with their humans in her original, very recognizable style, gradually creating a warm atmosphere – with bits of magic. The last double-page holds a surprise: as the objects manage to attract new owners and are being accepted along with their stories, various colors enter the world of the picture book. It is no longer a space of memories; it becomes a living space. “Forgotten Things” are both nostalgic and cheerful, they urge the reader to open up to hidden histories of unknown people and certain values accessible only to a watchful eye; they invite both children and adults to dream, offering a world of peculiar visual pleasure. 

We acquire and discard things too easily, warns the author of this gentle and playful picture book; but even when they have already been discarded, left to their fate on the stands of some open-air “mini market”, they can be looked at, singled out from the crowd, appropriated, restored, and brought back to life.

 

Book #4909

Rascals in the Gutter

16,99 

In the best tradition of young adult novels, but with a fresh voice, Josip Čekolj recounts the story of his rascals — four friends on the brink of adulthood. Although the town through which they roam is imaginary, their love and confusion, their conflicts and blunders, much like their need for warmth and belonging are all very real. As the rascals learn to find their way ‘in the gutter’, various characters show up to guide them along. Some are more trustworthy than others, and they largely come from the fringes of society, with perhaps the most important being an old lady with her cats and flair for poetry. And as usually happens in coming-of-age stories, their wading through murky waters becomes a first step towards maturity. The inspiration for this book was the exhibition ‘Rascals and Frogs’ by the visual artist Dominik Vuković, themed around memories of childhood. He illustrated this edition in close collaboration with the author, resulting in a special relationship between the text and illustrations.

Silences

13,01 

In this book that addresses every generation words and images blend into an impressive poetical unity. Using drawings with simple, clear lines and concise sentences, the author tells a story that’s possible to read and experience on different levels. She talks about the close connection of human beings with nature, about changes and the importance of that – sometimes concealed, but still permanent – relationship. The tree is also a symbol of the author’s inner being, a deep and vital center where her strength arises from, a strength of the utmost importance in encounters with the outside world and collisions with its walls.

Letters for Everyone

15,00 

This playful and cheerful book is perfect for those learning to read as well as for those who are helping them in this endeavor. Every of thirty very short stories – in which numerous characters, both human and animal, appear – is dominated by one single letter. This letter can be searched for, with ears or eyes, and every story can be continued. This unique spelling book invites the reader to play whereby it turns gaining reading habits into an easy and fun project.

The Moon in December

At first glance, the Moon seems to be the central character of these “twelve stories for daydreaming”, but various other characters alternate under its shine and go through many unexpected experiences: under its light, snow owls hold their annual ball, it serves the little fairy as the highest jump in the sky, a mouse will use it as a model for a picture of the ideal cheese… When it disappears from the sky, four cats go in search of it, and when it reappears it will serve as a swing for three crazy dogs, winners in howling competition… (illustrated by Pika Vončina)

The Year Without a Rabbit

7,96 

Leo is sitting in front of the house, lounging in a chair and thinking about the past year. The summer was great and promised a good start to seventh grade: with his brother and some friends he had founded a rock band that played a crazy summer hit, played in an international orchestra in Slovenia, and also, he had bathed in the sea. But when he returned to the city, things started going downhill – their pet, a brown rabbit, disappeared without trace, seventh grade started “badly”, with a pile of books, endless assignments and papers, and disagreement broke out with the new fencing coach … Sanja Lovrenčić enriched Croatian youth prose with a realistic and entertaining novel which, through the eyes of the smart, witty and talkative boy Leo, his family and friends, makes us aware (or reminds us) of the problems of growing up. Through the clarity of a child’s mind, we are faced with the absurdities of the adult world, as well as absurdities in schooling (very well described in the chapter “When you write about spring for the seventh time”). Adolescence has never been easy, but this novel shows that it can and should be fun!

(recommendation of the Vladimir Nazor Library in Zagreb)

Courts of Heaven and Waters of Earth

10,62 

In this book the author, who has already addressed the folklore heritage in various ways, created a vision of a lost world, the customs and beliefs of an ancient people “who herded cattle, spoke some Proto-Slavic language and did not use the alphabet”. Although based on contemporary ethnological knowledge, the stories collected in this book are told in a personal, poetic style, in different voices that seem to appear before readers from the depths of time and guide them through their universe. Portions of ancient folk songs that reflect fragments of forgotten beliefs are also woven into the author’s text. (Anita Peti-Stantic)

Intended for children over 12 and adults.

Marija in Cities

15,66 

Marija in Cities belongs to the series of Sanja Lovrenčić’s picture books about Croatian visual artists; this one is about the well-known photographer Marija Braut. The story about her is told from the viewpoint of her inseparable companion, the analogue camera, which directly and simply reports on their shared travels and work, the motifs of Marija’s photography, and her feeling for people and spaces, which the camera sometimes shared with the artist, and at other times just longed for calm scenes that are easier to capture. This is a lyrically intoned, very subtle depiction of the artist’s life and work, filled with a vestige of nostalgia for the great age of analogue photography, but also with hope in its preservation. In addition, the author offers the young readers an easy-to-understand introduction to the basics of this art technique.(Adrian Pelc, ed)

 

Book #4896