Format: 15×21
ISBN: 978-953-8313-30-1
Number of pages: 112
Hardcover
Published: 2021.
Songs of Birth and Dying
Collection of unconventional poems about love, written by a renowned Croatian poet.
13,00 € 7,80 €
“In the Rhythm of Horror – The Abyss of Dances” is a collection of six fantasy stories by young Croatian authors. The stories were chosen via a competition that Mala zvona held in 2020, after which authors Josip Čekolj, Mateja Pavlic, Marin Pelaić, Ines Vajzović, Martina Vidaić and Orin Ivan Vrkaš were chosen. Except for the characteristic fantastical elements of the unexpected and wondrous, the motive of dance also connects the stories – a dance of the dead and the arisen, a dance of half-humans and half-animals in the moonlight, an oriental dance of wraiths in black capes. These obnoxious dancers contribute to an uneasy atmosphere but at the same time, they create an aura of mystical beauty. Each story is illustrated with a black and white piece by Klara Rusan Klarxy – her work masterly depicts the merge of the real and the otherworldly, and makes a world that might seem dark and bizarre mysteriously alluring.
Format: 15×21
ISBN: 978-953-8313-30-1
Number of pages: 112
Hardcover
Published: 2021.
Collection of unconventional poems about love, written by a renowned Croatian poet.
The new collection of poems by Aida Bagić was created during a period of several years, following her acclaimed book If my name is Sylvia (2007). Dealing with memories, everyday life, “sounds of her own interior”, the author is primarily concerned with poetic language, referring back to Croatian poets experimenters like Ivan Slamnig and Anka Žagar. Out of the memories, fragments of fairy tales, transformed shards of everyday life, Aida Bagić creates a coherent poetic world, affirming it again and again as the only fragile possibility of belonging.
Sanja Lovrenčić’s book presents biographical texts by anonymous authors from the 13th and 14th century that depicted the lives of troubadours. Medival biographical texts about troubadours are a very old testimony about the interest that lives of artist awakened in their contemporaries. In a time where the only biographies written were those of saints and important rulers, poets are the only group of people that defy that rule – by being written about. Their biographies were written in a language that in medieval times, among others, was called “lenga d’oc”. Today this language is mostly referred to as Occitan, and it is considered to have been Europe’s first literary language after the classical period.
In her first poems Sanja Lovrenčić distanced herself in an elitist manner from the descriptiveness of reality and its usual subjects, but now in the collection A River Certainly does Love the Flood she approaches them in a relaxed manner equipped with elements of fairy tales – dreaminess, flax-ness and cotton-ness. Suddenly, for her, everything is utterable, without the pronounced use of the notional labyrinth or the figurative debris prominent with some other writers (…) Sometimes she would reach for the images that are close to a child’s concept of the world. Naturally, it is only an excuse. We are dealing here with a skilful mimicry of childlike tameness and imagination by the complexity and even aggression of adulthood. For our times, the author is really a gentle poet (but not a coy nor a complaining one) who by no means wants to use parasitic additions to make beauty, but neither does she want to use those purely technical, artificial means with “witchcraft” intentions. She is interested in a “walk with pebbles”. In all probably this is what contributed to her being the laureate of the Kiklop Award for the best poetry collection in the year 2007. (Sead Begović)
Kiklop Award for the best poetry book, 2007.