Format: 11×20
ISBN: 978-953-8313-52-3
Number of pages: 105
Paperback
Published: 2022.
Logbook
11,00 € 6,60 €
Jana Prević Finderle’s “Herbarium” could both be seen as a follow-up to her debut “The travertine bridge”, published in 2019, and its sheer opposite. One could argue that it’s a follow-up, because it is a book of short prose inspired by the author’s own experiences, delivered in a simple and direct way – and that it’s an opposite, as “The travertine bridge” was dedicated to travels and encounters, a horizontal motion through space, while “Herbarium”, a book about the lives of plants and the people closest to the author, focuses on travelling vertically, through time. For every herbarium, including Jana’s, is a book of memories. It seems that we live in times of increased sensitivity for the green world that surrounds us, a world that is getting more endangered with every day. But Jana’s soft spot for plantlife isn’t a result of any trend, although the need to create a herbarium made of words could have been influenced by the increasing eco-awareness in times of global warming. This author has, since early childhood, been living her life in close connection to plantlife, which enables her to talk about it from a personal, almost lyrical, perspective. Her authentic language depicts a simple closeness. The focus doesn’t lie on a problem or on the author’s knowledge of botany – which she clearly has – but rather on her personal experiences, her discoveries, little miracles she encounters, like the ones where her aunt Mirjana, in Jana’s adolescent days of spleen, tells her about an acorn and an oak.
Format: 11×20
ISBN: 978-953-8313-52-3
Number of pages: 105
Paperback
Published: 2022.
Integral text of the famous poetry collection “Steles” by Vicotr Segalen, one of the classic works of French modernism, for the first time in the Croatian translation, with new calligraphies of Chinese epigrams. Translated by Stephane Michel, Senka Sedmak and Sanja Lovrenčić; calligraphied by Iva Valentić and Ming Sheng Pi.
The text of these Notes flows like a mountain stream or breeze: it describes scenes from writers’ residences in which the author stayed for a little over a year, and the reflections associated with these places make up the bulk of the book. These are notes about the journey, woven with the subtle skill of a top connoisseur of language and working with words. Atmosphere, associations and images are innumerable; thoughts, questions – we recognize them all, we ask ourselves all that. But here and there, as when the folds of a fabric are separated by a gust of wind, readers see that this is not all: from the notes made between the trips they catch hints of the horizon of harsh and stupid reality that led the author to go on the road again and again. “You cover reality with a veil and you see better,” she writes in this book. Traveling with clear thoughts and open eyes, Sanja Lovrenčić covers and reveals reality with a unique fabric woven of words. (Iva Valentić, ed.)
In the legacy of Petar Gunjača (1924-2017), former employee in a furniture factory, known as photographer only to fans and collectors of photo equipment, were found several thousand photos, among them numerous shots of Zagreb from the 1960s and 1970s. Sometimes accidentally captured street scenes, sometimes persistent shooting of a same motive, sometimes deftly captured sport movement, suggestively evoke various urban atmospheres. Leading a kind of parallel life behind the lens, Petar Gunjača offers an impressive photographic opus and an interesting historical document. Inspired by Gunjača’s photos, the text writer Sanja Lovrenčić articulated her vision of the town in thirteen short prose fragments, intertwined with the story of the photographer’s life.
Book #3359