Format: 13,5×20,5
ISBN: 978-953-7760-01-4
Pages: 160
Binding: paperback
Published: 2010.


10,00 €
Diaries by the famous Croatian writer Ivana Brlić Mažuranić, written in the 1880s when she was fifteen to eighteen years old. The book provides insight into teenage life in the 19th century in Zagreb, the charming young character of the writer, her thoughts on literature, life and death, as well as the seeds of conflicts awaiting a female writer – all of which makes it a highly interesting read.
Format: 13,5×20,5
ISBN: 978-953-7760-01-4
Pages: 160
Binding: paperback
Published: 2010.
This collection of short texts enitled “#openwindow” is an outstanding example of how high-quality and original literature can be created on social media. For a year, author Aida Bagić wrote morning notes while looking out the window in her bedroom and published them on social media, with accompanying photographs. This project was called #openwindow, and resulted in a variety of texts – prose and poetry fragments, comments on daily events, notes on dreams and memories, wordplay and sketches of fairy tales. Often meditative, sometimes factual or playful, they reveal that the author is a skilled writer with an experience in writing poetry. Collected in this book, these notes show how an everyday object can stimulate our imagination, reflection, and introspection. Created in front of a window that opens onto external landscapes, they outline the author’s world of thought and emotion as a unique and interesting inner landscape. These texts are also an invitation to readers to think about their own everyday life, about ways in which they could rethink it so that it is not only more bearable, but also a source of genuine curiosity, sometimes even joy.
A collectionof music critiques and essays by Croatian film director and erudite Zvonimir Berković. Texts he wrote over several decades for newspapers and magazines are collected in this book and divided into four parts: Critique – Portraits – Meditations – Conversations. Collected and edited by Bosiljka Perić Kempf.
Zvonimir Berković wrote about music only occasionally, in the mid sixties and the first half of the seventies, for several newspapers and magazines. He left chronicles of the music lives of festival cities as Dubrovnik and Vienna, but he also wrote reviews of both local and foreign artists’ performances during the Zagreb concert season. Most interesting, however, are the author’s imagination and subtle (and not only musical) taste in the portraits of musicians, interpreters and composers. Music had a deep impact in Berković’s work of movie director, especially in his “Rondo”, a Croatian classic made in 1966.
An architect with previous experience as author, in his new book conceived as a sort of travel journal, Tomislav Pavelić reflects on the (co)relationships between man and nature, space and place, history and the present. At the end of his often erudite considerations, he asks questions that serve as both the starting point and the destination of these journeys. Without offering hasty answers, he invites us to approach universal problems with an open mind, illustrated in concrete examples of the regions visited, which form the colorful and dynamic decor of this book: places like Armenia, Sicily, Andalusia, Albania etc. All of these locations and cultures can teach us something about the past, but at the same time they allow us a clearer view into the murky and uncertain future of our civilization.
Biljana Romić, born in 1960, is a Croatian indologist and cultural editor. She gained her Master of Arts title in 1997 in Zagreb, with a study of Bharati Mukherjee and postcolonial migrant faiths. She has ever since actively been researching and writing about postcolonialism and the notion of the Other. Her extensive study The women’s world of British India was written after she spent several years studying diaries and letters written by “memsahibs”. Her work is not simply a historical overview of their lives and roles during colonialism, it puts colonial history, literature and the notion of the “Other” in a contemporary critical context; Romić analyses over one hundred and fifty sources, including Indrani Sen, Amandeep Kaur, Kumari Jayawardena and Shashi Tharoor. When reading about the British colonial venture in India, we mostly encounter works that have been written from the male perspective of conquests and regimen – but colonial women have, almost from the very beginning, been a part of this venture. Biljana Romić’s book brings us the voices of these women and their lives. They journeyed into the unknown, often not prepared for the adversities of a different climate and the social roles they were going to find themselves in. They went into the unknown as wives, governesses, teachers, as young women in search of a husband; sometimes as entrepreneurs, missionaries, adventurers. Many stayed within the expected roles given by the British colonial community, but some of them showed that it is possible to overcome the limitations of their era, class and gender when it comes to their relation to India and Indians. Biljana Romić talks about the so-called “little history”, the one that appears on the margins of big historical events – and without which it is impossible to gain a complete picture of a time that has passed.