Format: 13,5×20,5
ISBN: 978-953-7760-01-4
Pages: 160
Binding: paperback
Published: 2010.


10,00 €
Diaries by the famous Croatian writer Ivana Brlić Mažuranić, written in the 1880s when she was fifteen to eighteen years old. The book provides insight into teenage life in the 19th century in Zagreb, the charming young character of the writer, her thoughts on literature, life and death, as well as the seeds of conflicts awaiting a female writer – all of which makes it a highly interesting read.
Format: 13,5×20,5
ISBN: 978-953-7760-01-4
Pages: 160
Binding: paperback
Published: 2010.
Biljana Romić, born in 1960, is a Croatian indologist and cultural editor. She gained her Master of Arts title in 1997 in Zagreb, with a study of Bharati Mukherjee and postcolonial migrant faiths. She has ever since actively been researching and writing about postcolonialism and the notion of the Other. Her extensive study The women’s world of British India was written after she spent several years studying diaries and letters written by “memsahibs”. Her work is not simply a historical overview of their lives and roles during colonialism, it puts colonial history, literature and the notion of the “Other” in a contemporary critical context; Romić analyses over one hundred and fifty sources, including Indrani Sen, Amandeep Kaur, Kumari Jayawardena and Shashi Tharoor. When reading about the British colonial venture in India, we mostly encounter works that have been written from the male perspective of conquests and regimen – but colonial women have, almost from the very beginning, been a part of this venture. Biljana Romić’s book brings us the voices of these women and their lives. They journeyed into the unknown, often not prepared for the adversities of a different climate and the social roles they were going to find themselves in. They went into the unknown as wives, governesses, teachers, as young women in search of a husband; sometimes as entrepreneurs, missionaries, adventurers. Many stayed within the expected roles given by the British colonial community, but some of them showed that it is possible to overcome the limitations of their era, class and gender when it comes to their relation to India and Indians. Biljana Romić talks about the so-called “little history”, the one that appears on the margins of big historical events – and without which it is impossible to gain a complete picture of a time that has passed.
An architect with previous experience as author, in his new book conceived as a sort of travel journal, Tomislav Pavelić reflects on the (co)relationships between man and nature, space and place, history and the present. At the end of his often erudite considerations, he asks questions that serve as both the starting point and the destination of these journeys. Without offering hasty answers, he invites us to approach universal problems with an open mind, illustrated in concrete examples of the regions visited, which form the colorful and dynamic decor of this book: places like Armenia, Sicily, Andalusia, Albania etc. All of these locations and cultures can teach us something about the past, but at the same time they allow us a clearer view into the murky and uncertain future of our civilization.
This prose-poetry reader could prove to be one of the key events of the Anglo-Croatian literary exchange in 2025: in it, translator and poet Goran Čolakhodžić brings a selection of prose and verse by the English early modernist, Edward Thomas, one of the most important voices of British poetry and of the generation of artists who perished in the Great War, and a close friend of the American classic Robert Frost. The rhythms of his verse are quiet and unobtrusive; he was above all a poet of the earth, trees, birds, and the human relationship with nature, but his poetry is also characterized by subtle psychological insights and is overshadowed by the coming world conflict. In addition to tackling Thomas’s rhymed verse and selecting some of the most successful fragments from Thomas’s nature writing, travel journals and articles, Čolakhodžić also wrote a critical preface, notes and his own artistic text juxtaposed with Thomas’s – a diary of the arrival of spring in Zagreb in 2025, which highlights the similarities and differences between England and Croatia, the 19th and 21st centuries, reminding us of the impact that climate change and people’s problematic relationship with nature have on our daily life. The painter Iva Valentić provided stunning artistic responses to the texts collected here, connecting Far Eastern techniques with Western literature.
There is a door that we don’t know how to open. Behind them lies the solution to the riddle, the beginning-and-end. This door leading to afterlife or to the void, are constantly present in some way in the ninth poetry book of the noted Croatian author Marija Lamot. But there are also numerous smaller doors that open wide in her poems – doors leading to memories, landscapes, mirrors, moments scattered in time, flashes of an intense present. They lead into the night, into bright light, into a classroom where philosophy is discussed, into family spaces and, above all, to trees and other beings that do not speak in human voices.