Children

4 Tales from the Country of Rabbits

6,64 

In the county of rabbits the young reader will get to know the caring rabbit mom, dad who tells bedtime stories, their sons Eusebius the diary writer, Hugo the trumpet player, and other members of the large family, whose merry adventures are told in pictures interwoven with words. Texts by Pika Vončinahave an original ludic quality and often contain unobtrusive reflection about the natural world and human relations.

A Story about a Rabbit

10,62 

A Story about a Rabbit is one of the very few literary texts for children written by the famous German avant-garde artist Kurt Schwitters. In this playful short tale, the rabbit (who keeps on hopping around the corner even when there is no corner around) goes through a series of metamorphoses: he becomes a bird, a fish, a pig, a hippopotamus, a fly, and even a steamship. In this way, the author shows the road to maturity as a process of role playing; at the same time he explores the possibilities of one of the oldest motives of western art: the metamorphosis as a fundamental premise of artistic creation. Although able to provoke a grown-up reader to serious thought, Schwitters’ story, with its quick pace and fine humour, stays light and accessible to the youngest audience.

 

Age 4-7

All That… An Illustrated Encyclopaedia of Verbs

19,64 

Language itself inspired this unusual illustrated book. On every page a different verb: a little poem about aall that flies,all that shivers,all that hurts,all that floats, all that whimpersetc. Sixty funny, extraordinary poems that can encourage every child to think about words, are accompanied with sixty abstract illustrations that express a chosen verb in a manner that somewhat resembles the praxes action and informal painting. The book is useful as educational tool, it served as a basis for a number of art workshops with children, it is genuinely close to the worlds of childhood and it enhances the practice of reading for pleasure.

Selected among 25 best designed Croatian books in 2018.

Age: 6-9

 

Book #3352

Blue Town, Yellow Town

11,95 

Two towns on the two sides of a river – and an old bridge between them. When the bridge has to be repaired and repainted the citizens of the Blue Town want it to be blue, those from the Yellow Town want it to be yellow. There starts a peculiar quarrel, and develops out of proportion to its initial motive… until the day when the nature intervenes and reminds the citizens of both towns of the beauty of the multicoloured world.

(first edition : Alice Jeunesse, Belgium
White Ravens 2017)

Cats

9,29 

In Cats, the author offers several connected tales: a brave cat Mortimer goes to the sea to see the great white shark (meeting on his way the dangerous mister Darkly); a company of wandering acrobat-cats falls apart because of a very strange problem; Zigfrid and Zelda, brother and sister, practice the skills of measuring and sewing in their own way; and cat chefs, Leonard and Edgar are making pancakes for all of them.

 

Age: 4-6

Coco and Rico

14,60 

This story, written and illustrated by Croatian writer and visual artist Nikolina Manojlović Vračar, follows the youth of two sibling roosters Coco and Rico. These two heroes were born on a farm owned by two music-lovers, and enjoyed a careless youth among other animals. But one day they were kidnapped from their home by two criminals who decided to turn them info fighting roosters and to make them participate in illegal rooster fights. When the day came for Coco to fight Rico, they had to use all their cunningness and intelligence to turn the fight into a travesty, escape and find their way home. By telling this animal adventure story, Nikolina Manojlović Vračar reflects on friendship, loyalty and nonviolent ways to subvert and contest violent behavior.

 

Book #3332

 

 

Courts of Heaven and Waters of Earth

10,62 

In this book the author, who has already addressed the folklore heritage in various ways, created a vision of a lost world, the customs and beliefs of an ancient people “who herded cattle, spoke some Proto-Slavic language and did not use the alphabet”. Although based on contemporary ethnological knowledge, the stories collected in this book are told in a personal, poetic style, in different voices that seem to appear before readers from the depths of time and guide them through their universe. Portions of ancient folk songs that reflect fragments of forgotten beliefs are also woven into the author’s text. (Anita Peti-Stantic)

Intended for children over 12 and adults.

Crazy House

15,66 

A child with a “slow parachute” jumps from the roof of his building and describes the balconies next to which she/he flies. She/he then climbs the stairs and informs us about the interior of the apartments and their occupants. Each of the tenants is unique in their own way: someone is obsessed with English breakfast, someone sleeps in a cage because he is convinced he turns into a bird during the night, someone lives in an elevator with a pet snake, someone makes mechanical animals, someone builds walls and someone tears them down…

Descriptions of the occupants of the crazy house are fanciful, vivid and amusing; the text also contains a discreet educational point: regardless of the harmless “madness” of each of the tenants, in general they respect each other, and all together form a harmonious whole. The “crazy house” thus becomes a symbol of possible coexistence, of individual freedom embedded in the community.

To the easy playfulness of the text corresponds the artistic style of the illustrator Venda Vernić, offers the young reader a kind of gallery through which one can move in two directions, up and down, finding on every page a visual surprise.

 

Book #3707

Croatian Folktales

17,00 

After reading old Croatian folktales in a very serious book for adults,author Sanja Lovrenčić decided to set her favourite ones free and make them more accessible to children of today, telling them in her own literary voice, adjusting them slightly so that they would be more understandable. In eleven short tales, we meet a wide range of interesting heroes and antiheroes, from fox brides and tiny fairies to ravenous young women and mean bunnies. Set in magical and mystical forest settings skillfully depicted by Branka Hollingsworth, these tales – sometimes whimsy, sometimes not – now get to live on in the minds and hearts of new generations of young readers and listeners, saved from the terrible destiny of being forgotten.

Darklets

15,00 

In this picture book Croatian author Igor Rajki, winner of the prestigious Grigor Vitez award and the award of the Fairy tale festival of Ogulin, deals with a contemporary issue – the issue of the excessive presence of electronic devices and their screens in our everyday life. He does this in an original way, using his distinctive imaginative poetic language, kindling the readers’ imagination and making them think at the same time. The narrator of the story is giving, as if he were a professor of some kind, a lesson about ‘assembling of darkness in the dark’ – an enchanting phenomenon that occurs at the end of the day, in closed spaces, when darkness begins to descend from the ceiling and rise from the floor; the two darknesses embrace each other and slowly turn into the thick dark. But that is not all; during their game they create small sprouts, so called darklets. Darklets playfully twirl around objects, taming their shapes and leaving no trace. But when various screens start to interfere, a problem occurs: grayish shadows appear where darklets should be… The literary story about darklets is narrated in another, visual language by Klasja Habjan, a young illustrator and designer. She creates impressive, secretive life in spaces on the edge between night and day, spaces inhabited by fleeting human and animal figures, fragments of objects and fragments of their interactions; she does this with extraordinary inventiveness, on a very high aesthetic level, making this book attractive not only for reading but also for (repeated) viewing. By offering the youngest readers an utterly unusual visual experience, Klasja Habjan broadens the concept of what a picture book can be, and opens up the space of children’s book for new ways of artistic expression.

Darkville

17,00 

Addressing the children for the first time, the renowned Darkville, the setting and the main character of this picture book written by a distinguished author Iva Bezinović-Haydon, is a sad town: all plants are being systematically cut there. No one really knows whose idea that was, but two city officials play a significant role in its implementation. One of them stamps the word ‘NO’ on all requests for a change, the other maintains order with his cutting tools – until a little blue flower emerges from a crack in the asphalt and everything starts to change… Using simple words and an appealing plot, the author talks about the need humans feel for the living green world, for colors, diversity and freedom, but also about different ways of standing up to bad rules imposed from somewhere above – it can be done in a hidden manner, in private spaces, or openly, in public, joining forces with other people. The young illustrator Laura Martinović brought the story about Darkville to life with her playful and warm illustrations, full of creative visual ideas and details that enrich the text.   

Dreambringer

13,01 

The narrator of this story, who has always wanted to be (and always has been) a Dreambringer, grows as a character from page to page, and sometimes assumes almost cosmic dimensions. For he is the one who delivered dreams about the stars to the inhabitants of ancient Mesopotamia several thousand years ago — as well as some information to the thieves from the neighborhood last week. This Dreambringer is not perfect, he is so much overburdened with work that ”confusions may happen”, and sometimes he has to deliver a really scary dream. But some of the dreams from his luggage are really extraordinary: the number zero dreamed up by a Mayan priest and the recipe for ice cream that appeared in a dream an ancient chef; some strange signs from which the alphabet will emerge, but also a tender awakening love of a young girl… It seems, however, that it is not the dreamer who is responsible for the content of the dreams, but the dreamers themselves, who “dream beyond all rules”…

The imaginative world of Igor Rajki was turned into expressive paintings by the young artist Nikolina Žabčić; these are her first picture book illustrations.

 

Book #3709

Ema is Alone

16,00 

The story about Ema – written by Vanja Marković, an expert in inclusive and social pedagogy – deals with an important topic of our time: the way people perceive each other. Roaming the streets of her hometown, the little heroine is trying to find someone to play with. She encounters a whole bunch of various characters, but they notice only her looks – her shaggy hair, her huge eyes, her dirty jacket. They all nag her and none of them wants to follow her imagination, but her ideas for games remain on pages, as possibilities for readers themselves to develop. In the end even Ema repeats the pattern that surrounds her: when a yellow cat asks her to play with it she refuses the invitation, thinking that a black cat would be much more interesting. In a playful way the story opens the readers’ eyes to the wrongs implied in superficial ways of looking at others. The storyteller’s style is simple and flowing, very well adapted to the target group of readers (6-8). The illustrations by Vibor Juhas complement and enrich the text; they are close to the aesthetics of comic books and full of little visual surprises.

Emilija’s Very Extraordinary Adventure

9,29 

Emilija the sheep, Pika Vončina’s calm and pleasantly modest children’s book character, is well-loved in Croatia. The present volume, whose title promises an “Adventure”, is not concerned with a dangerous quest, though Emilija does fly with the wind and dive with the fish. Rather, the little sheep becomes acquainted with the elements, and learns about the special nature of the air, earth, water, and even the stars. This happy dream journey is narrated in a laconic style. Vončina’s characteristic whimsical typography and word play further add to this gentle little picture book, whose plot end where it began: as a good-night-story on the pillow (Age: 4+)