Format: 13,50×20,5
ISBN: 978-953-7760-12-0
Pages: 180
Binding: paperback
Published: 2011.
17,00 € 10,20 €
Chopin
A book on Frederic Chopin written by his colleague and friend Franz Liszt. Croatian translation of the first French edition. Preface by pianist Veljko Glodić, professor at the Music Academy in Zagreb.
Slični naslovi
Chet Baker on the Beach
17,00 €In the new poetry book by the acclaimed and award-winning Croatian poet Ivan Babić, “Chet Baker on the Beach”, the readers will notice, on the one hand, the maturity, clarity of concept and stylistic certainty of this experienced writer, and on the other hand his talent for a short form that unites the lyrical and the meditative, and within which the author manages to transform elements of sensory, organic reality into imaginative metaphor. The dominant thematic framework of these subtle poems is love. The foreboding of opening up to another person, the fragility of closeness, unrest, hope and absence alternate like musical variations in a book that is, as the title already testifies, inspired and imbued with music. Music is, however, most present in the poems of the central, titular cycle, where it appears in a multiple role – as an incentive for language, as a possibility of dialogue across the barriers that separate different artistic disciplines, as an embodiment of psychological states and moods. Breath and respiration run through the manuscript as an organic link between music and song, but also as the presence of the living world of nature for which the author shows a special sensitivity (noted in his previous collections). Babić’s sense of language is manifested in lexical abundance, a flexible sentence that manages to remain light despite its complexity, an imaginative but unobtrusive creation of neologisms, and the ability to create a small, concise and rounded whole with well-chosen words.
Sketching out a Heroine
As a poet of proven skills, Sanja Lovrenčić sketches a mysterious heroine. Who is she? After reading, it is up to us to conclude. Or to let her continue to take shape within us for a long time. For, this collection of poems counts on the cooperation of a careful watcher and listener, a curious reader sensitive to language and its beyond. Sanja Lovrenčić invites us on an adventurous poetic journey through the poems/episodes of a very special, never fully expressible or sharply drawn protagonist, with whose joys, doubts, insights and resignations we easily empathise. (Dorta Jagić, ed.)
Longlisted for the Kamov Award 2021
The Female World of the British Raj
Biljana Romić, born in 1960, is a Croatian indologist and cultural editor. She gained her Master of Arts title in 1997 in Zagreb, with a study of Bharati Mukherjee and postcolonial migrant faiths. She has ever since actively been researching and writing about postcolonialism and the notion of the Other. Her extensive study The women’s world of British India was written after she spent several years studying diaries and letters written by “memsahibs”. Her work is not simply a historical overview of their lives and roles during colonialism, it puts colonial history, literature and the notion of the “Other” in a contemporary critical context; Romić analyses over one hundred and fifty sources, including Indrani Sen, Amandeep Kaur, Kumari Jayawardena and Shashi Tharoor. When reading about the British colonial venture in India, we mostly encounter works that have been written from the male perspective of conquests and regimen – but colonial women have, almost from the very beginning, been a part of this venture. Biljana Romić’s book brings us the voices of these women and their lives. They journeyed into the unknown, often not prepared for the adversities of a different climate and the social roles they were going to find themselves in. They went into the unknown as wives, governesses, teachers, as young women in search of a husband; sometimes as entrepreneurs, missionaries, adventurers. Many stayed within the expected roles given by the British colonial community, but some of them showed that it is possible to overcome the limitations of their era, class and gender when it comes to their relation to India and Indians. Biljana Romić talks about the so-called “little history”, the one that appears on the margins of big historical events – and without which it is impossible to gain a complete picture of a time that has passed.
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