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Autor/ica

Igor Rajki

Igor Rajki (Zagreb, 1965) is a versatile author with a distinctively unconventional style, innovative and playful in his literary expression. Imaginative and witty linguistic experimentation is a constant in his works.

He writes short prose, novels, plays and essays, as well as books for children and young adults. Since 1990, he has regularly published texts in various cultural newspapers and literary magazines.

Several of his plays have been performed, and several radio plays have been produced by the Drama Programme of the Croatian National Radio. He is represented in several anthologies: Zbirnik, an anthology of stories for young people (Zagreb, 2004), Najbolje hrvatske priče 2006 (Zagreb, 2007), and Blizine, nigdine i fritule (Zagreb, 2011).

He won the Nomad Literary Magazine Award for Best Novel and two awards for best short story “Zlatko Tomičić” (Karlovac, 2008 and 2010). His children’s play Čarobnjak won first prize at the Ogulin Fairy Tale Festival in 2010. He is one of the authors in the award-winning drama omnibus Zagrebački pentagram (ZKM 2009). For his prose book Posuđene ispričnice (2011), he received the annual Grigor Vitez Award. His novel Detektor istine (2012) was shortlisted for the Meša Selimović Award. He was also a finalist for the J. P. Kamov Literary Award with his novel Puteni nametnik in 2015, and twice entered the finals of the T-portal Award for Best Novel.

Ostali naslovi autora/ice

Windwalk

16,00 

At first glance, this unusual picture book seems to be entirely dedicated to the endless diversity of winds. But in fact, it questions the ways in which people experience and describe the world. The main character of the story, Tanja the Windwalker, initially performs her job in accordance with the rules and expectations of the wind observation service. However, over time, this passionate wind lover is no longer satisfied with the ordinary language of official reports; she begins to write differently – more personally and poetically, and it takes her more time to formulate sentences. At the same time, various wind officials find it increasingly difficult to understand her… The author of the text, Igor Rajki, conjures up Tanja’s experiences in the worlds of wind and language with strange new coinages and quirky puns, while the illustrator Klasja Habjan creates an imaginative visual world in harmony with the story.

Darklets

15,00 

In this picture book Croatian author Igor Rajki, winner of the prestigious Grigor Vitez award and the award of the Fairy tale festival of Ogulin, deals with a contemporary issue – the issue of the excessive presence of electronic devices and their screens in our everyday life. He does this in an original way, using his distinctive imaginative poetic language, kindling the readers’ imagination and making them think at the same time. The narrator of the story is giving, as if he were a professor of some kind, a lesson about ‘assembling of darkness in the dark’ – an enchanting phenomenon that occurs at the end of the day, in closed spaces, when darkness begins to descend from the ceiling and rise from the floor; the two darknesses embrace each other and slowly turn into the thick dark. But that is not all; during their game they create small sprouts, so called darklets. Darklets playfully twirl around objects, taming their shapes and leaving no trace. But when various screens start to interfere, a problem occurs: grayish shadows appear where darklets should be… The literary story about darklets is narrated in another, visual language by Klasja Habjan, a young illustrator and designer. She creates impressive, secretive life in spaces on the edge between night and day, spaces inhabited by fleeting human and animal figures, fragments of objects and fragments of their interactions; she does this with extraordinary inventiveness, on a very high aesthetic level, making this book attractive not only for reading but also for (repeated) viewing. By offering the youngest readers an utterly unusual visual experience, Klasja Habjan broadens the concept of what a picture book can be, and opens up the space of children’s book for new ways of artistic expression.

Once

12,00 

In this extraordinary picture-book the story keeps returning to its beginning. At every page, Igor Rajki starts out with the classical formula “Once there was a…”, only to interrupt the narration and turn to something else. The little sketches created in this way as well as the reasons the author offers for never finishing any of his stories finally build up to a hilarious mosaic of anecdotes while constructing a somewhat nervous but highly entertaining narrative voice. The visual artist Krešimir Zimonić responded to the fragmentary narrative style by using techniques of collage which combine drawings, photographs, graffiti styled writings and “ready-made” visual material. Once is, for this reason, a thoroughly sketchy and incredibly rich little book.